This is not simply true of the Western tradition, but also true in China, where Buddhism took root in conservative, Confucian China after a plague wiped out nearly half of the population. And disease can also give rise to a lack of faith -- McNeill suggests that the 18th century Enlightenment was spawned partly because industrialization and urbanization created fetid cities with poor sanitation, which gave rise to epidemics that caused people to doubt the existence of a caring God.
The discovery of the sources of diseases, like insects and rats, were undoubtedly a boon to mankind. Without the delousing of during World War I many soldiers would have caught communicable diseases from the pests, and knowledge of microbes enabled people to take precautions against the spread of illnesses throughout the 20th century, and our knowledge of how new illnesses are spread is never complete. In the developing world, the landscape continues to be shaped by disease. Today, long after McNeill wrote his book, this continues in Africa, with the AIDS epidemic, although, as he notes in his updated introduction, he does not believe that AIDS, compared to plagues of the past, is nearly as significant or as deadly as, for example, the bubonic plague in Europe.
Plagues continue to this day. Even during McNeill's first edition, the bubonic plague was still...
William Blake was born in London in 1757, the son of a hosier. He attended a drawing school and was subsequently apprenticed to an engraver from 1772-9, before attending the Royal Academy as a student from 1779 to 1780. During this time he made his living as an engraver, producing illustrations for the book trade, and was also composing and illustrating his own poetical works. He married Catherine Boucher in
The fear and the misery cannot be escaped. The image here is of a town brimming with people and yet they are alienated and oppressed. One of the most powerful literary techniques Blake employs in the poem is irony. In the beginning of the poem, after Blake introduces the notion of misery, he follows it with the notion of freedom. Those in the city are no doubt free but they
Fire: The Medieval Mind and the Renaissance - Portrait of an Age by William Manchester. Specifically it briefly addresses Manchester's three main theses and analyze some part of this book in depth. It contains a critical book review that acknowledges the three main theses and addresses one of the theses, or a clearly defined theme, directly. The author's three main theses in the book were these: First, writer William
This concept reveals the complexity of "psychological and physical damage" (Pagliaro), leaving one can to wonder, "whether it can be stopped and its root causes done away with ever" (Pagliaro). The answer to this question, and this state of mankind, is left up to the reader while Blake explores the inner and outer worlds through busy streets and a chartered river. Here we see entrepreneurs at work while the
The more political arguments against Ruddiman are more easily dismissed, however. Synthesis and Evaluation It must be acknowledged -- and is, in fact, acknowledged by Ruddiman -- that there is not complete scientific certainty that the current warming trend the Earth is experiencing, if indeed it is experiencing one, is the result of human behavior, and specifically the use of fossil fuels. The evidence that Ruddiman presents in Plows, Plagues, and
As night looms, he hears "How the youthful Harlot's curse/Blasts the new-born Infant's tear, / And blights with plagues the Marriage hearse" (14-6). Even the populations' state of mind is represented with negative imagery. It is also important to note that the poet senses weariness when looks at the townspeople and that it stems from "mind-forged manacles" (8). This line makes it known that there is suffering but it
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